..............
SERIES 2000 Guitar Amp
& Cab........................MATAMP GT-120
and 4X12 Cabinet
Mat Mathias was born in 1923.
In 1939 Mat was evacuated to England with the entire school
he was attending in Berlin.
He was first settled in a camp at Sandwich on the south coast of
England and then later moved
to Leeds. While in Leeds Mat was in Digs at a private house with some
other boys also from the
same school. Later on Mat found work in a comb factory, then interned
at York Race Course on the
Isle of Man. Mat had a friend in Bradford who found him
work in a cinema projection
box as a trainee. From there he moved to Huddersfield to work at
the Ritz Cinema as the projectionist
under a chief.
Next Mat bought a share of
a business doing Radio Repairs in Albion Street. The original owner
wanted to leave so Mat was
obliged to take on the whole business and pay for it with what he
made each week. Mat did
not have any wage left for himself for a long time but eventually the
debt was paid off. When
television became available Mat went into TV and gradually built up a
small business. He did some
television repairs for a firm on King Street, in Huddersfield.
In 1956 Mat was married and
the following year in 1957 he bought the King Street shop and his
wife Ruth, worked at King
Street whilst he kept doing repairs at the shop on Albion Street.
Mat had an apprentice at
this time who played guitar and used a Tandberg tape recorder which
was part of his Hi-Fi stock.
Mat made a recording of his playing. Mat then built up his recording
equipment and spent many
hours recording the local pop groups. The groups would discuss with
Mat what they wanted from
an amplifier and Mat would make modifications to their equipment.
The
King Street Shop became known as MATAMP in 1958, and eventually
in 1962 Mat designed
a "new" amplifier for the
guitar which he called MATAMP.
[Dates verified 2006 with Mrs. Mathias."Matamp was not even thought of in 1946, ignore Jeff Lewis."]
By 1964 MATAMP amplifiers
were made on neatly bent aluminum chassis with a white front panel
with the name MATAMP on
the front with a single underscore line under the name. With such an audio
sound, people in the pop
business began to talk and in 1968 Mat was then approached by a man in
London named Cliff Cooper.
Cliff wanted some amps made for his studio in London called Orange.
A sample amplifier was made
and taken to London where it was tried by Peter Green of the group
Fleetwood Mac. The amplifier
was a success and Peter Green used it to record Albatross which
went to number one on the
charts and has been popular ever since. Mat's amplifiers were now in
demand. Fleetwood
Mac went on tour through the United States with Mat and he realized
that the
amp chassis and box would
need to be more heavy duty and the power output would need to be at
least 100 Watt. His next
generation amp with an enameled steel chassis with heavy duty mains
and output transformers
sporting 4 EL 34's introduced Mat's GT-120. This became the
studio and road
worthy amp for most professional
musicians immediately.
After this blossum of success
Cliff Cooper decided he wanted some amps to have the name of
his recording company on
the front panel. In 1969 some ORANGE Matamp
amplifiers were made
from the same design, right
along side the original black vinyde MATAMP equipment. Various
models ranging from 2-EL34
20 Watt Amps to 200 Watt units with 4-KT88's were made one
at a time by Mat for studios,
sound stages, bands and touring companies.
By 1973
Mat
decided he would make amplifiers just for himself and disconnected his
association
with Cooper's company Orange
and the MATAMP name was removed from all ORANGE items.
Mat continued to make amplifiers
for guitarists and slave unit models. D.J.'s became popular and
he designed and made an
array of PA Amps and Mixers that are still ahead of their time.
With disco thriving at the
end of the 70's and the 80's digital era ahead Mat's PA gear was put
to use to fill the void
where the towering 120watt stacks in arenas left off.
In 1981 Mat Mathias designed
& created his "Rembrandt" guitar amplifier unit known as the V-14.
This 160watt 1X15 combo
amplifier was "true" guitar tone at all ranges. Featuring reverb and a
boost channel on a very
large chassis that could be removed and mounted into a head sleeve
to drive 4 cabinets if desired.
100 chassis were made and Mat made about 30 that were ordered
by pro musicians. By 1984
the Matamp factory was completing assembly only from chassis of
models from the past. By
1985 Mat's health started to fail and in July of 1989 Mat Mathias passed
away.
The factory continued on
with Matamp functions with the help of Mat's wife, Ruth and their two son's.
Final business details and
the closure of Mat's 31 year Pro Audio Company became the end
of MATAMP in Huddersfield.
1958 - 1989
The Mathias Family put the
factory/shop up for sale and it was purchased by a local record collector
&
and upholsterer, Jeff Lewis.
Lewis originally from Whales had never worked or been associated
with Mat Mathias, however
as most of Huddersfield England, he was keen to the value of Matamp
& Matamp Products.
According to the Mathias Family, there was no association or relations
with Lewis prior to 1993.
1994 Jeff sorted through
the shop and then immediately contacted Orange.
Cliff Cooper and Jeff Lewis,
then entertained the idea of building ORANGE Voice Of The World
amps again with hopes to
distribute through Gibson in the USA. This venture turned out to be a
disaster, and financially
was the death to the new business owner putting Matamp UK on
the rocks. Orange
moved on and revolutionized their name.
The Matamp shop continued
with amps made from spare parts and refabbed Matamp classics
that were sitting in the
shop.
SLEEP, from Santa Clara California
owned several recovered GT's as green amps for bass & guitar
with various green speaker
cabs. On the down side lots of gear anxiety with the quirky old amps
often blowing on stage.
These odd units owned by SLEEP, were the only ones in the
USA besides 4 other pieces.
They remained a myth.
In 1997 an individual in
the USA changed the "myth" into a reality.
A customer since 1994, who
had been ordering items from Matamp went to place an order in 1997
and was informed by Jeff
in the UK that he was going to start making Air Conditioning Units,
and was ending Matamp's
struggle with amps. Jeff explained to that he would sell him
all of the spares in the
Huddersfield shop. Enough to fill a shipping container !
The units where photographed
in the USA, and within 3 days started a simple website with photos.
This started the exposure,
and put Greenamps online to illustrate GREEN Stacks The first order for
an amp came in to Matamp
USA the makers of Green Amps. Jeff Schultz from a band called Bongzilla.
By mid 1998 MATAMP USA made
a deal with Jeff Lewis to be the sole distributor for Matamp World Wide.
MATAMP USA placed an order
and imported 20 amps and 24 cabs to be made, and by
August of 1998 came the
debut www.matamp.com .
By January 1999 the "Official"
MATAMP Distribution, USA office was announced to the world over
the internet, postal mail,
and magazine articles in Vintage
Guitar & Guitar
World .
The availability of amplifiers
from MATAMP USA was being spread and promoted. In the UK,
amplifier engineer Dave
Green began with MATAMP in 1999 and resurrected original schematics
of Mat's and began runs
of the original GT-120. Later in 1999 Joel and Dave released the
"Legend" GT120 Master Volume
Version and many others.
Matamp USA was on the move
with the Indy Scene and 1998 Green Amps
makes
actual production debut
along with the USA's Black Amps in
1999, White Amp in 2000.
The amplifiers began to arrive
into the USA and were then put through harsh testing. After the
completion of inspection
and testing, Matamp USA and Dave went to the table and sorted out ideas
that
would mold the future of
MATAMP. Original and New models were beginning to be released and
the demand for custom colors
introduced a buffet of amps in various vinyde choices for the USA.
During the year 2000 the
MATAMP shop went under construction and was remodeled.
The construction induced
delays for USA orders and wound up creating a down time for the
UK shop which lasted until
the end of winter 2001. Big changes for the shop, and bigger
changes to the amp line
and cab construction.
2001-2004 the Matamp UK units
were built on Ashdown Chassis. The amp units changed
drastically and now sported
chicken head knobs. This was a problem for many USA orders
expecting the traditional
look Matamp USA promotted and sold.
The old school look and
feel of the amps was lost during this period which was not
congruent with Matamp USA.
New drawings and designs
from Matamp USA were sent to th factory of a more traditional
old school amplifier line
on three seperate occassions.
Terms were finally agreed
upon on how the amps would be built. The first seven for the
new line called ELECTRIC
Amp USA were put into production and the first seven
fGREEN Amp units in this
format. The units arrived that summer and were cool but
but a long way off from
the designs and what was agreed upon.
Some Green Amps were done
in black....
2005 Matamp USA ceased production
in the UK Shop, and moved forward with it's color
Logos to be produced by
ELECTRIC
AMP, USA. Now the Green
amp had a home on the soil where
it's users dominated.
Most of all it was built for the first time from all OEM parts instead
of the alternate part variations
of Orange / Ashdown / used recovered Matamp version.
When Matamp USA pulled out
of the UK it created a vacuum and by 2005 the Matamp
UK Shop had no valid production.
The shop manager John Tilley having many disputes
with Jeff Lewis left the
shop prior to the December Holiday Season.
John Tilley moved on to start
Wienbrock
guitar amps that are becoming popular in the UK.
Ged Martin and Ralph Barenthien
both former Matamp UK employees also joined Wienbrock.
During 2006 Jeff Lewis published
a pamphlet "Matamp at 60" announcing they where the oldest
amp company and established
in 1946 ??? A nice new line of little amps, little cabs too. According
to
Dave Green, a total of 9
re-issues of Mat's S2000 where made in 2006. Two of which where destroyed
during shipping to Germany.
With production at zero and
tensions high in Huddersfield during 2007 the last original
[next generation after Mat]
employee Dave Green left Matamp UK's Huddersfield Shop
to work for Hayden
Amplification. Dave has had great success with Hayden that
is owned
by Ashdown Engineering.
Dave Green custom taylors amps and takes a jet to
the USA to customize several
Hollywood Musicians two time per year.
Matamp UK continues it's
production and has had five different amp builders since 2007.
After Dave Green left, an
amp designer joined the Huddersfield shop named Martin of Martamp.
Martin left, the shop shortly
and then Matamp UK introduced tone master Harold Bush to build
the amplifiers.
In 2010 Matamp UK made a
feeble attempt with eroneous statements to WIPO in Switzerland
regarding this very domain
name and the "actual" ownership of the name MATAMP USA.
In less than 30 days WIPO
[ World Intellectual Property Organization] made a clear decision
that indeed MATAMP USA in
the United States of America was the original owner and sole
owner of www.matamp.com
. Furthermore, during their investigation they found that Jeffrey
Lewis and his Canadian Distributor
had committed "cyber hijacking" by registering in bad
faith 14 domain names using
Electric Amp, USA's trade name and color logo names. These
domain names were being
used to publish libel and defamatory information about ELECTRIC
AMP USA. Lewis and his Canada
Dealer were ordered to CEASE. To date they still have these
hijacking domains pointed
at their own sites attempting to redirect customer traffic to their sites.
Meanwhile ELECTRIC AMP, USA maintains focus on Tube Amplification and Speaker Cabinets.
Indy Bands, Pop Artists,
Heavy Metal, Doom Metal, StonerRock Bands, Jazz Players,
and Country Entertainers
with discerning taste for tone and hassle free Pro Audio
quipment line up for
gear.
The tradition of catering
to the needs of all kinds of musicians for Pro Audio Equipment
lives on with Electric
Amp, Hayden and Wienbrock.
All Respect to the great innovator Mat Mathias, and long live Pro Audio.
Written in collaboration with Mrs. Ruth Mathias - England.